Friday, 4 September 2015

The Greatest Germany Home Kit 1965-2015 - Your vote counts!

First, it was England. Then came France. Now, The Football Attic is proud to be begin a new quest - to establish The Greatest Germany Home Kit of the last fifty years.

The white and black of the German team (and that of the West German team before it) are as iconic as the yellow of Brazil or the orange of the Netherlands. Worn by heroes such as Gerd Müller, Franz Beckenbauer, Lothar Matthäus and Jurgen Klinsmann, the home kit of the German team is as identifiable as any, and is inextricably associated with great success across several decades.

More than 600 matches have been researched and 22 kits have been illustrated so you can assess the good and the not-so-good from the last half a century. Your main duty is to simply enjoy the designs for what they are, but also we'll shortly be inviting you to vote for the one you think is the best of all - just to get an idea of which kits are the most popular.

Before we go any further, here's our graphic showing all of the (West) Germany home kits since 1965.
Click for larger version
(You can also download a full-size version of the graphic here.)

The kits

Kit A was worn in West Germany's first match of 1965, a 1-1 draw against Italy in Hamburg, but was also worn throughout almost their entire 1966 World Cup campaign. It was only in the Final against England that West Germany switched to Kit B (different only in the round neckline of the shirt), although this version was well established and had already been worn regularly since April 1965.

Where our fifty-year period of focus is concerned, these two kits were worn in more matches than any other; Kit A for 33 and Kit B for 79, but whereas the former was retired in 1974, the latter went on to be worn right up to the eve of the 1978 World Cup.

It was in West Germany's first match of the '78 tournament that Kit C made ​​its debut, made ​​by German manufacturer Erima, and it was their logo that had appeared on the shirt of Kit B During 1977. However, after 12 years of wearing two kits that were very much a product of the 1960s, West Germany finally had a new outfit that was modern for its time. With a black edged 'flappy' neckline and black piping across the shoulders of the shirt, Helmut Schön's team looked stylish and in no way old-fashioned in their appearance.

Kit C was worn for two years, even making an appearance in West Germany's group games of the 1980 European Championships, but for the Final against Belgium, they changed again. Karl-Heinz Rummenigge, Uli Stielike and the rest of the German team faced their counterparts wearing Kit D - the first of 19 consecutive Adidas kits that are still worn to this day. The cut of the shirt was much the same, but now there were Adidas stripes on the sleeves as well as the socks, while the neckline was now a solid black. For further contrast, the piping across the shoulders was flipped horizontally too.

Kit D was worn regularly over a four-year period, but it had to share the spotlight With Kit E during that time - especially during the 1982 World Cup when the latter edition was seen throughout. Sporting a black v-neck and no piping on the shirt, this was seen as a refinement of its predecessor but one that was only worn for a dozen matches up to 1983.

Kit F emerged just in time for West Germany's ultimately unsuccessful Euro 84 campaign. Once again, the shorts and socks were left unchanged, leaving the shirt to provide a fresh look with its stylish wrap-over v-neck - the only change to the entire ensemble, but a very noticeable one. Kit F was worn 19 times between 1984 and 1986 and was only absent for one match in June 1985. On that occasion, West Germany wore Kit G against England in a friendly in Mexico City - essentially the same shirt, but this time with a simple black v-neck to replace the wrap-over. Whether the single outing for this kit was down to the 3-0 thumping at the hands of Bobby Robson's men, we shall never know...


Once again, a World Cup Finals tournament ushered in a new West Germany kit, and in 1986 it was the turn of Kit H to make its first appearance. Kit H was the first to use all three colours of the national flag on the shirt, albeit in a minimal fashion on the shallow wrap-over neckline and cuffs. The entire outfit was worn eleven times in all up to the end of 1987, along with Kit I on four occasions - essentially identical to Kit H, but with a round-neck version of the shirt.

At the start of 1988, the West German national team changed to possibly their best known kit of all - Kit J - which made ​​far greater use of the black/red/yellow by incorporating an abstract ribbon motif to the shirt. Made famous by the victorious World Cup campaign of 1990, Kit J has been worn more often than any other kit since the 1970's, and with some justification.

When Euro 92 rolled around, however, it was time for another change and on this occasion, Adidas restyled the shirt to give an approving nod to the previous one. For Kit K, the flag colours were moved to the sleeves, a new black v-neck was added and the ever-present Adidas logo switched to its 'Equipment' variant - even on the socks.

In 1994, Germany wore their most colourful shirt to date - and the one that polarises opinions the most. As part of Kit L, it featured a series of diamond-like geometric shapes in black, red and yellow across the shoulders and upper chest, with a repeat of the pattern occurring on one leg of the shorts. In addition, the three Adidas stripes were also now in the colours of the German flag.


If Kit L looked flamboyant, Kit M went to the opposite extreme. During 1996 and 1997, the Germany shirt had a plain, dignified look - removing the colourful detail of its predecessor to leave a largely white shirt, black shorts and a longer discrete black neckline and cuffs. To add to the vintage-era feel of the kit, the DFB badge appeared on the shirt in white inside a black shield. Bold, but nicely executed.

At the start of 1998, Kit N was launched and immediately brought back a more modern stylistic approach. Once again, the black/red/yellow was in evidence as the colour for the three stripes horizontally crossing the chest and neatly running behind the DFB badge. Continuing the complex theme of the shirt, there were also black panels down the sides and a black v-neck with white insert, while the shorts also had panels to contrast the white Adidas stripes in black. Only the socks appear to have escaped the attentions of the designers.

Kit O arrived at the start of 2000 and was remarkable for having more black on the shirt than at any time in the past. Truth be known, the black that appeared on the shoulders was more like a dark charcoal colour, but even so, the effect remained stark and uncompromising. Two years later, the see-saw swung back again in favour of minimalism as Kit P made ​​use of a popular Adidas shirt template of the era. With the simple black v-neck neckline and black cuffs, this was the more refined look that the German team adopted for the 2002 World Cup Finals.

Kit Q appeared to be an interesting combination of Kit O and Kit J as a return to black shoulders (along with red and yellow flashes) heralded the run-in to Germany's Euro 2004 campaign. As if to leave no-one in any doubt as to the nationality of the players wearing the kit, there were miniature German flags on the shirt sleeves and the front of the socks.

At the end of 2005, however, it was 'new kit' time again as Adidas launched Kit R, an outfit that ultimately would be seen in the World Cup Finals played on German soil the following year. Maintaining the use of the three flag colours, the shirt had long curves across the shoulders, down the sides of the shirt, and even onto the top of the shorts.

A new direction was taken when Germany faced Cyprus in Hannover towards the end of 2007 as Kit S appeared for the first time. It's main feature was a broad black band running from left to right across the upper part of the shirt, ending in a curve that provided a border for the round DFB badge. The black band also contained red and yellow bars to create a stylized version of the Bundesflagge, whereas the socks had a broad black band on the turnovers as a background to the three white Adidas stripes.


Almost exactly two years later, Kit T was introduced and had a striking resemblance to Kit M thirteen years before it. Yet again there was a single black neckline and once again there was a black shield container to house the now gold DFB badge. This time, however, three thin vertical lines in the colours of the German flag ran behind the badge as a subtle counterpoint to the traditional white and the black Adidas stripes.

In November 2011, Adidas went retro again - this time feeding from the styles of the mid-1980's. Kit U had a shirt with diagonal pinstripes in black, red and yellow, echoing shirts like those worn by Portugal during Euro 84. The single wrap-over neckline was also a hark back to the same era as the overall kit adopted a 'less is more' motif in time for Euro 2012.

Finally, in November 2013, Germany wore Kit V, the kit they'll be wearing until November 2015. This was a true original in many respects. The shirt featured a bold, detailed chevron that graduated from dark red to a lighter red with a similar colouring appearing on the shorts and sock turnovers. The shorts themselves were designed to be white rather than black wherever possible as part of a wider switch to single-colour strips by numerous national sides.

With smart black detailing along the sleeves, neckline and shorts, Kit V was as imaginative and daring in its conception as anything we've seen since the mid-1960s... but is it your favourite Germany home kit of the last 50 years?

Acknowledgements

Before you get the chance to register your vote in our online poll, I'd like to express my sincere thanks to Terry Duffelen, Rich Nelson and Rick Joshua for all their help in clarifying many important pieces of information during the research for this feature. Without their help, many of the details shown on the graphic above and in the accompanying text would be incorrect or incomplete. Thanks a lot, guys!

The vote

And so we come to the fun part - the part where you can vote for your favourite Germany Home Kit of the last half-century.

The process is very simple. All you need to do is look at the graphic shown near the top of this article, note the letter associated with your preferred kit, then select it on the form below and press the Vote button. On October 4th, one month from now, we'll count up all your votes and announce the winner of the Greatest Germany Home Kit 1965-2015.

Thank you for your participation!


-- Chris Oakley

Sunday, 30 August 2015

The Football Attic Podcast 29 - 50GFSE - The Top 5!

As with all good journeys, so too must the 50 Greatest Football Shirts Ever come to an end...and so we hereby present the Top 5!

Listen to the "experts" discuss the best football shirts ever created and the detailed reasoning as to why they are what they are.

Finally, we take a look at the stats relating to the whole project and discuss some of the feedback we've had along the way.

It's a long one...nearly 2 hours!

WEST SIIIIIIIIIIIDE!!!!

Subscribe to The Football Attic Podcast on iTunes or download our podcast here.

World Cup Sunshine

It was something Rich Johnson said while we were recording the fifth Football Attic podcast. We were discussing the World Cups of the past and my Attic co-blogger innocently observed that the best tournaments were often the ones with the most sunshine. Think Mexico '70 or Mexico '86... great World Cups that evoke memories of players scoring fabulous goals in stadia bathed in beautiful bright sunlight. Then think of Italia '90... a tournament looked upon by many as being an exhibition of negative football, mostly played at night.

A water-tight theory, I was inclined to think at the time... but could it actually be proved? It got me thinking: was there any direct correlation between the amount of sun that shone during a World Cup and the quality of the football it produced?

Obviously it was never going to be easy calculating the exact amount of sunshine for a single match, let alone several tournaments. No-one to my knowledge has deliberately stuck a light meter in the pitch of every World Cup game and published the readings for all to see, so how could the theory stand up to assessment?

I soon realised this was no place for exact science and academic brilliance. Some wide-ranging assumptions and flabby rules were needed if this exercise was going to bear fruit, so that's exactly how I went about my work.

Goals = quality

To begin, there's no quantifiable way of determining how good a World Cup tournament is or was. Every one of them has had its fair share of memorable moments, but they've all had their dull matches too. For the purposes of this elaborate plan, therefore, I decided to focus on the number of goals scored during a tournament as a general gauge for its overall quality.

The shadows

Then there was the sunshine issue. What was it about, say, Mexico '70 that proves it was so rich in sunlight? In short, shadows. Seemingly every image we saw of Pele or Gerd Muller or Jeff Astle (for instance) featured said players with short, dark shadows attached to their feet, and it's these shadows that confirm the presence of strong sunlight.

Video evidence

But could a match be considered 'sunny' if, for instance, the sun only shone for five minutes of a match? In my view, no: the term could only be applied if shadows were being cast on the pitch for more than half a match.

And how could I prove that this was the case? By watching YouTube videos that, in some cases, lasted no more than a couple of minutes.

(I did warn you that this was unscientific.)

In my defence, however, many World Cup matches can be found on YouTube in their entirety, and where this was the case, I assessed the whole game to reach some sort of outcome.

Oh, and I also decided to start my research from 1970. My reasons were two-fold; firstly, because the number of World Cup matches on YouTube falls away sharply before the first Mexico tournament, and secondly, because all pre-1970 TV footage is in black and white. The latter point is apposite when trying to work out whether a match is played in hazy sunshine or no sunshine at all.

Making the grade

Finally, I had to list all the important details for each of the games. Initially, I planned to record each World Cup match as being 'sunny', 'cloudy' or 'rainy', but I soon realised this was too complicated. All that was needed in essence was to say whether a match was 'sunny' or 'non-sunny', so that was the system I chose.

Not that these were the only classifications, of course. Many World Cup matches are played at night, so for the purposes of this exercise, the label 'Night' was applied to all games that kicked off from 7pm onwards in the local time zone.

And for even more complication, some games have been played in a stadia with a closed roof. For those matches, the label 'Indoor' was applied.

Data collecting

Having determined all of the above, it was time to start collecting the data... from 636 matches. A spreadsheet was created, and one by one, each game was listed along with its duration and goals scored (including extra time but not penalty shoot-outs).


Once all the data was collected (and I say that as if it only took me ten minutes), it was simply a case of totalling up all the goals and minutes for each match in each category of Sunny, Non-Sunny, Night and Indoor.

It was at this point that I felt an infographic coming on. Here it is:

Click for larger version
Thanks to the loose application of some tenuous (at best) rules based on many all-too-brief video clips, a number of conclusions were drawn from the data.

Conclusions

Firstly, the answer to the big question: does a World Cup football match played mostly in sunshine bring forth more goals? The answer, it seems, is a definite 'no.' Of all the four match types, 'Sunny' came out worst with one goal scored every 37.5 minutes. 'Non-Sunny' matches (i.e. those played in cloudy or rainy conditions) featured goals scored (roughly speaking) once every 35.3 minutes - about the same for 'Night' matches.

Best of all, however, were the 'Indoor' matches. So far, there have been 12 games played in stadia with a closed roof, and in those, a goal has been scored once every 29.2 minutes.

(Once again, it behoves me to remind you that these are very imprecise figures, but unashamedly so. And can you find any that are more accurate on the internet? Of course not, for no-one has such dedication to a redundant cause as I.)

Taking each tournament in sequence, you can see from the infographic that the 1970 World Cup was indeed dominated by 'sunny' matches (as shown by the yellow blocks in each case). As we suspected all along, Mexico came up trumps again in 1986, and proportionately these two tournaments had the highest percentage of 'sunny' games out of all the twelve World Cups covered (see separate graphic below).

Click for larger version
Sunshine was in the shortest supply during the 2010 World Cup with the 1974 competition not far behind. In general, however, there have been far fewer 'Sunny' games since the start of the 21st Century - not necessarily because of adverse weather conditions, but because more World Cup matches are being played later in the day in stadia that don't allow direct sunshine to reach the pitch quite so easily. Both factors mean less sunshine is seen in quite the same way as we saw back in 1970.

Taking all 636 games in their entirety, we can generally see that there's almost an equal three-way split between those that were 'Sunny', those that were 'Non-Sunny' and those that were played at night. To be a little more specific, however, the 'Sunny' games just about have the lion's share - 38% compared to 32% for 'Night' games and 28% for 'Non-Sunny' games.

Finally, to confirm the earlier point, you're likely to see more goals in 'Indoor' matches - 3.17 on average, compared to 2.45 in 'Sunny' matches. And that, as much as anything, sums up the overall result of all this research and analysis: as much as we choose to disbelieve it, 'Sunny' World Cup matches are somewhat inferior where the quantity of goals is concerned.

A depressing thought, but the one thing this exercise can't quantify is the quality of the goals scored during sunny World Cup matches. Without spending several more weeks on research, I'd like to offer the following names to make a case for the sunshine/great goals ratio: Josimar, Pele, Maradona, Krol, Negrete...

Need I go on?

-- Chris Oakley

Friday, 21 August 2015

Words on Numbers

It's been far too long since we welcomed our old friend Ed Carter into the Football Attic fray, but we're delighted to say he's back once again, this time with some fine observations on the traditions of shirt numbering...

I am not mad.

On my computer I have a list of every England football squad ever submitted for a major international finals tournament. Remember, please, that I am not mad when I tell you that if every squad was like the one we sent to the 1950 World Cup - where no teams had fixed squad numbers - I would not have bothered to curate this list in the first place. I love the numbers of sport. I love the statistics, I love the scores but above all I love the numbers that are assigned to competitors to differentiate them.

I once discussed this with someone and they immediately started talking to me about the Olympic Games. I am sure that, if I understood the innumerable arcane points of interest in the way Olympic competitors are numbered I would be completely enraptured. But for me, Olympic numbers can be summed up by the way they are affixed to the competitor they demarcate: throwaway, paper-thin, ephemeral. They don't capture my interest at all.

What interests me is the sports where competitors are given a number and they wear it over the course of an entire season or beyond. Two years ago, my beloved Formula 1 motor racing decided to introduce career car numbers to the drivers, as is the case in motorcycle racing and in American motor sports. Once a competitor is issued a number of their choosing they will carry it throughout their entire tenure in the sport, regardless of team or achievement. As an identifier, and I suppose as a marketing tool, it was a diamond-tipped bullet of pure genius. I tried to maintain my decorum throughout. But I failed and immediately made a list.

I am not mad.

Football. The old association football. When I was little, football players wore shirts numbered from 1 to 11, apart from for during international tournaments, where numbers as lofty as 20, 21 or 22 could make a thrilling appearance. The dark hearts behind the Premier League had other ideas, and from 1993/94 squad numbering has slowly percolated its way down throughout the football pyramid.

I'm nothing if not a staunch traditionalist (in addition to not being mad, which it is important to remember) and as such I should be appalled by this. To be fair, I occasionally am. But on the whole, I completely love it. It is probably my favourite thing about football, now I think about it. If they stopped wearing numbers again, as they used to in the old old days, I'd probably go and find something else to watch. Greyhound racing, perhaps. Or a tortoise with a number painted on its shell in Tip-pex.

Originally, the number a football player wore - as is the commonality of any sport where the numbering of its participants still grabs me - was specific to their position and role on the field. Number 1 was always the goalkeeper; 2 and 3 were the full backs; 4, 5 and 6 were, from right to left, the half backs and numbers 7 to 11 were the forwards: again, from right to left, the outside, inside, centre, inside and outside. The initial challenge to squad numbering, you might think, is how do you maintain this positional system when there is every number from 1 to 99 to choose from? In reality of course, people had been taking liberties within the 1-11 framework for years.

For a start, there were national differences. When 4-4-2 replaced 2-3-5 as the standard formation in soccer, all hell broke loose. The English approach was to pull the numbers of the old centre and left halves back into defence as the centre backs so that a team might line up GK 1; FB 2, FB 3, CB 5, CB 6; RM 7, CM 8, CM 4, LM 11; CF 9, CF 10. In Germany, the corresponding numbers might be 1; 2, 3, 4, 5; 7, 10, 6, 8; 9, 11. In Brazil and Argentina, the centre backs assumed the numbers of their predecessors, the full backs - 2 and 3. 4 and 6, the right and left halves, became the gallivanting, marauding right and left full (wing) backs. The defensive midfielder wore 5, the central midfielder 8 and then the four attack-minded players were numbered as they were in Britain.

Or weren't. Kevin Keegan wore 7 for Liverpool but was the centre forward. Bobby Charlton was number 9 but he was an attacking midfielder. Pele, the world's greatest ever number 9, wore 10 because a Brazilian FA official assigned him that number at random upon the team's arrival in Sweden for the 1958 World Cup. Perhaps the most exciting thing of all was that Johan Cruyff wore 14 for Ajax, Barcelona and the Netherlands, a rare example of a player who was so good that officialdom is willing to waive the rules on their behalf.


Liverpool Football Club were the forerunners of pretty much everything in English football when I - or pretty much anyone over the age of 30 and under the age of 60 - was growing up. But as well as their excellence on the pitch, their approach to squad selection and development allowed them to be progenitors of the squad numbering system in English football. A player would break into the team and, if they showed sufficient quality to stay there, would very often retain the number. The aforementioned Keegan wore 7 because he made his first foray into the starting XI as a right winger. When I grew up watching the last great Liverpool side of the late 1980s, Ronnie Whelan wore 5 in central midfield because that was the number he had inherited from Ray Kennedy, who had himself worn it as a left-sided midfielder. Steve McMahon wore 11. John Aldridge, one of British football's greatest ever centre forwards, number 8. Steve Nicol frequently turned out at right back in a very Brazilian number 4. Gary Gillespie often partnered Alan Hansen (6) at centre back wearing 3. None of these numbers were strictly right, but they all meant something. That is what is so important. It demarcates the players and the positions on any given day, but also the progression of time and season. A sense of history and purpose and of being part of something more significant than just your part in it.

"I tell you what you must love then. You must love the way the Netherlands turned out numbered in alphabetical order for the 1974 World Cup." Well, no, actually I hate it. Because there's no meaning behind any of it. No thought, no history, no romance, nothing. What is even worse than Jan Jongbloed lining up in goal wearing number 8 is that had the system been properly implemented, he would have been number 9: as befitted his talismanic status, Johan Cruyff was granted the number 14 which should, by right, have belonged to Johan Neeskens. Cruyff's alphabetical assignation should have been number 1. It is things like that which make me glad Holland did not win the 1974 World Cup.

Had Cruyff worn 1, though, I suppose alphabetical squad listing is something I could get behind a little more; although it seems a staggeringly heartless and utilitarian thing to do, the sort of thing that might have happened in a book about World Cup football written by George Orwell.

The great alphabetisers of world football, though, were Argentina. In 1978 they did it properly, with no exceptions made. Number 1 was River Plate's midfielder Norberto Alonso. Ossie Ardiles wore 2. Mario Kempes, the goalscoring hero of the final, managed to get number 10. They remain the only team to be numbered alphabetically to win the World Cup. As such, they continued the practice in both 1982 and 1986, although on both occasions the system was modified to allow Diego Maradona to wear 10. In 1986, Jorge Valdano was also pandered to, wearing number 11.

Even staid old England got crazy enough to pull an alphabetic shenanigan on us. Perhaps it was the aching twelve year chasm of spiralling failure and national shame, but when the team arrived in Spain for the 1982 World Cup they were numbered according to the single most convoluted system ever seen at a football tournament, until such a time as any country wants to turn up graded by colour of hair.

Of the 22 man squad, 18 were given a number according to their name. Trevor Brooking, an archetypal number 10, wore 3. Steve Coppell, a number 7 all day long got number 5. But a goalkeeper wearing a number between 2 and 11 was too much for the FA to contemplate, so the custodians were corralled into their own individual alphabetic section and then duly handed a number 1, 13 or 22 shirt. The other exception was Kevin Keegan, England's exception-ally unfit talisman, who briefly wore his traditional number 7 shirt during a substitute appearance against the hosts in the final match of an injury-stricken campaign. The whole never-repeated experiment is, by quite some margin, the most louche thing the English football team have ever done. Including the fact that Fabio Capello used to give the substitute goalkeeper number 12, the very thought of which makes me feel a bit peculiar. Good peculiar? Bad peculiar? I don't even know.

Nowadays, squad numbering has settled down a little bit. The worst excesses, in this country at least, seem to be out of the way. The majority of players still seemingly gravitate to wearing a shirt numbered between 1 and 11 to signify their quality and irreplaceability. Additionally, there have become new paradigms set for the outlying numbers. See someone wearing number 21 or 27 or 33 and you pretty much know the sort of player you're going to get.

The great hero of English squad numbering is undoubtedly Sir Alex Ferguson, who maintained a squad kept zealously within an outer limit of numbers in the low 30s, as well as making superstars of Roy Keane's 16 and Paul Scholes' 18. That's precisely the point of squad numbering done well: both Michael Carrick and Ashley Young spoke out in the press upon their arrival at Old Trafford about the honour of being bestowed with these grand old numbers and the expectation that comes with them.

The villain of the piece? Arsene Wenger. Purely and simply for the most heinous shirt numbering crime ever committed in the British game, granting William Gallas the number 10 in 2006. The nine intervening years have done nothing to calm my volcanic revulsion to such an act. I neither support Arsenal nor do I have any strong feelings either way to Gallas. But when a player - a centre half - walks in to your club and asks to wear the number 10 shirt only just vacated by Dennis Bergkamp, a trip to the Job Centre is clearly the only eloquent response. Instead, Wenger granted the request. I've not forgotten and it can never be forgiven. But as long as there are squad numbers, there'll always be these moments. I've come, broadly speaking, to accept it. European games, with their attendant players pratting across the screen wearing number 63 or 87, can now pass with me barely even needing to clench my buttocks or grind my teeth. Or vice versa. There was many a clenched tooth and ground buttock round my house in the early noughties.

Although I still hear Barry Davies' disapproving voice ("what a RIDICULOUS number to see on an association football field") whenever anyone is tootling around in a 38, I have started to see the brilliance of it rather than being hung up on the incongruity. The best of the current crop is Yaya Toure's 42 shirt. You need to be good to wear a 42 shirt through choice. There's nowhere to hide in a number 42 shirt. One day soon, probably in no more than ten years, you'll hear some pundit somewhere saying that Manchester City have never properly replaced their 42 shirt. It's a brave new world, but scratch the surface and it's a comfortingly familiar one.

Our grateful thanks to Ed Carter for his latest guest post on The Football Attic, and a reminder to you all that you can hear him every week with Ian King on the 200% Podcast and see his sublime illustrations and paintings over at his Redbubble website.

Sunday, 16 August 2015

The Football Attic Podcast 28 - 50GFSE 12-6

The 50 Greatest Football Shirts Ever! may be finished, but we're not done with it yet! Not while we still have 12 shirts left to blather on about!

It's another Jayless pod as he's off definitely not working or something (he told me to say that in case the tax man is listening), so I'm afraid there's only one mention of baselayers...

So pop your slippers on, grab a mug of cocoa and settle down in your favourite armchair and let the warmth of Chris, Rich and John's soothing tones send you to sleep...

AWOOGAAAAAA!

Subscribe to The Football Attic Podcast on iTunes or download our podcast here.

Saturday, 15 August 2015

Retro Rewind: 101 Great Goals (BBC, 1987)

By my reckoning, it’s 83 great goals, 15 that might be great and 3 that definitely aren't, but that’s just me being pedantic. And besides, it would have been a far longer and more cumbersome title for a VHS tape that I recall seeing virtually everywhere back in the late 1980’s.

I never actually owned a VCR until 1990, but this video cassette cropped up wherever I went, from my local WH Smith to the Virgin Megastore in Oxford Street, London. Though the inlay cover was far from exciting, the title did rather more to stir my imagination. What were these great goals, packaged and presented for us by the BBC? How exciting would it be to watch a whole uninterrupted hour of goals, goals and yet more goals? And would I get any change from a £10 note if I bought it?

I never did find out which goals were on that tape until the internet arrived, by which time my Akai VCR was well on its way to fully decomposing along with several dozen Scotch E240 tapes of mine. Upon watching the video, one is immediately struck by how many of the goals are familiar. That’s because many of them either won the BBC’s Goal of the Season competition or were shortlisted for the accolade.

Fortunately, even where that is the case, the goals are well worth seeing anyway. As mentioned earlier, only a paltry amount could be considered ‘not great’, and even they've got some intrinsic value to them. One of them, a goal scored by Jimmy Greaves at Valley Parade on January 3 1970, consisted merely of a throw-in by Joe Kinnear, flicked on, scuffed by a Bradford defender and poked home from close range. Hardly ‘great’, but worth seeing just to witness a legendary striker doing what he does best.

A classic Liam Brady effort for Arsenal at Tottenham in 1978 acts as the basis for the most rudimentary of opening title sequences, after which the goal-laden chronology begins in 1969. Bobby Charlton crops up with two of three successive Manchester United sizzlers, then it’s Greaves at Bradford followed by Martin Chivers scoring for Tottenham at Molineux on the same day... except Tottenham couldn't possibly have been playing Bradford and Wolves on the same day. The caption shown on the Chivers goal was wrong, and this was one of a few similar cock-ups that threaten to blight the overall presentation.

No matter. The goals they kept on coming; Ernie Hunt’s brilliant volley, set up by Willie Carr’s donkey kick, George Best looping the ball over a floundering Pat Jennings, Ronnie Radford slamming a screamer into the top corner of the net against Newcastle... Iconic images paraded before our eyes garnished inevitably by the excited commentaries of Motson, Davies, Coleman and others.

Growing up as a kid in the late 1970’s, it was goals like these that were often shown on TV, almost as a reminder of how good modern-day football ought to be. Personally speaking, I was always most fond of a long-range pile-driver, flying into the roof of the net from way out. Many such goals featured on this tape from the likes of Alan Mullery, the aforementioned Ronnie Radford and, perhaps most tellingly, Johnny Metgod for Nottingham Forest against West Ham in 1986. These were the goals I tried to replicate while playing in the local park as a kid right up to playing five-a-side with my colleagues as a 37-year-old.

It’s not all ‘thirty yard thunderbolts’, however. Proof is provided that a great goal can take many forms, whether it’s from a clever chip (cf. Glenn Hoddle against Watford in 1983, Terry McDermott against Everton in 1977) or an overhead kick (cf. Danny Wallace for Southampton against Liverpool  in 1984). Whatever your taste in goals, be they created from a series of neat passes or blasted in from distance, it’s fair to say you’ll be satisfied by something you see.

If there's any particular criticism to make, it's that the bigger teams feature more prominently than the smaller ones. Goals by Tottenham, Liverpool and Man United players make up more than a third of the total on their own, and those three teams appear in more than a quarter of all the clips, but maybe that's no surprise. Your average Match of the Day usually focused more on those clubs anyway, so the footage used in 101 Great Goals is simply a reflection of that.

The procession of great players, great teams and great goals continues through until 1987 (the year of release for this VHS tape) with the last goal coming from Clive Allen for Spurs against Coventry City in the FA Cup Final of that year. Somewhat disappointingly, Allen’s goal was the only one featured from that match. No Keith Houchen? Tut tut... But hey, it’s not easy putting together a selection of the best things in a particular category. Better, perhaps, to be grateful  for what you’re given, and this BBC production is certainly worthy of acclaim for providing over an hour of great football entertainment.

-- Chris Oakley

Friday, 14 August 2015

50GFSE - The Shirts That Didn't Make It - Rich

It's fair to say that our recent 50 Greatest Football Shirts Ever series has been not only a great deal of fun, but also a giant controversy generator. Obviously, this sort of list is always going to be entirely subjective and given it was compiled by four very strong minded people, it's fair to say there are shirts on the list which often saw us split down the middle.

To this end, I thought I'd put together a small post on some of the shirts I personally voted for inclusion that didn't make the cut and, with the benefit of hindsight, ones I'd probably include if we were to do it all again.

Firstly, let me explain how the list came to be...

We individually nominated a selection of shirts - there was no limit to how many we could nominate, but it usually numbered around 20 each.

We then took a vote on each shirt as to whether it should be in the top 50 - again, no limit was set, just literally whether we thought it merited a place.

We then took the shirts which had 3 or 4 votes and they immediately found a place in the Top 50.

Next we nominated 5 shirts from our lists which had gained 2 votes and we voted again. 

That left us with one space to fill so we each nominated one shirt from the previous round of voting that hadn't made it. Shirt 50 ended up as the Universitario 88th Anniversary Home Shirt by Umbro, which surprisingly took 21st place in the final list.

Once we had the 50 shirts, we then voted in blocks of 10 (i.e. shirts 1-10, 11-20 etc) and after many, many hours on Skype discussing it, arrived at the final list. 

So, from my list of shirts which initially received 2 votes, these were the ones that came so close...



Italy Confederations Cup 2009 

Italy 2006 

England goalkeeper 1987-89 

Canada Centenary 




Argentina (a) 1986 World Cup quarter-final 

1860 Munich Anniversary (reversible)

Russia (a) 2014 



And then there were the ones that were just rejected out of hand!



La Hoya Lorca 2013/14

England away 84/87

St Mirren / Huddersfield 88

World XI 87






So...If I had to do it all again, what do I feel I maybe missed?

Croatia 98 - Not normally a fan of Croatia shirts, but the rippled flag effect did something unique and raised it above the norm.

Coventry - Talbot kit or Admiral tramlines - both of these shirts were before my time, but are both classics. The Admiral tramline shirt did feature at no.11 for Wales, but that Talbot shirt is a true design classic.

Leeds H 95-96 - As with the England 09 shirt, this stripped everything right back and looked great for it.

France A 2011 - Nike's first away kit for France demonstrated how tired adidas had become. White with horizontal navy stripes, it was a striking and very daring outfit.

Peru - specifically the 78 incarnation - One of the biggest elephants in the room, not one of us voted for it, bringing forth howls of incomprehension, but as with the ones mentioned below, can it really be a design classic when one gets the feeling it had little actual design about it?  That said, I think I probably would include it next time...

There are many more I'm sure, but that's the thing...when you can think of 100 awesome shirts, how do you separate the good from the great?

Finally, here's some shirts I wouldn't include, despite the howls of amazement that they weren't somewhere in the Top 50.

Brazil 70 (or indeed ever) - Yes it's iconic, but it's hardly the height of design and we were trying to separate the two with this list. Being popular doesn't automatically make it a great design...in our opinion.
England 66 - See above. 
Real Madrid - Sorry, RM's shirts just don't excite me.
Ajax - Same again...sorry. Yes some are iconic, but see the points above.

So that's a little more insight into not only what nearly made it, but the process as a whole...as we said on many occasions, this was a long piece of work with an awful lot of thought put into it. It may not be everyone's Top 50, but it's ours :)

Monday, 10 August 2015

Kit Collection Book - Last 4!

THESE ARE NOW SOLD OUT!


I'm currently working on Volume 2 of the Attic Kit Collection Book, but I have 4 remaining copies of Volume 1 available! 

If you want one, fill in the form below...I'll then send you an email with details etc.




Please note, due to costs, I'm limiting these to the UK only! 
(Apologies to any overseas kit lovers.)


The original info for the book is below.

It's been a long time coming with many, many, MANY weekends spent photographing kits, editing said photos and then writing stuff about each one, but it's finally here!

The finished product is a 98-page hardback featuring over 200 different kits (almost my entire collection).


 

The price is £30. Order before 28th Aug for free P&P 

So, if you want one, fill in the form below and I'll contact you to sort out payment.

-- Rich Johnson


The Football Attic Podcast 27 - 50GFSE 20-13

So the 50 Greatest Football Shirts Ever may be over, but it's not really over till the fat lady sings...or in this case the middle aged men stop waffling about wicking material and design cues...

And so it comes to pass that we present the 3rd podcast in the 50GFSE series, covering shirts 20-13.

Not 20-11 I hear not many of you ask? No...we decided to split the last 20 into 3 pods, to give the Top 5 their own show. We're good like that.

WEST SIIIIIIIIIIIIIDE!

Subscribe to The Football Attic Podcast on iTunes or download our podcast here.

Sunday, 9 August 2015

The 50 Greatest Football Shirts Ever: Infographic

Contrary to what some of you out there may think, we sweated blood over this countdown. We didn't just discuss the 50 Greatest Football Shirts – we argued about them. Endlessly. At times, we threatened to commit arson to each other’s houses unless certain strident views were toned down and even, on one occasion, resorted to calling each other some very rude names indeed.

Strangely, though, it was all worth it. We decided on our 50 favourite shirts and ordered them accordingly, stopping only once we’d written at great length about each and every one. We knew they’d mystify or frustrate some of you by their very inclusion, but by going to the trouble of explaining ourselves so thoroughly, we hoped you’d see our point of view.

And now it’s done. Over seven weeks of daily blog posts and well over a year of planning are at an end. We hope you enjoyed our 50 Greatest Football Shirts Ever series, but before we close the book on this epic tale, we thought we’d summarise what we put before you. Somewhat inevitably, we’ve created an infographic.
Click for larger version
So what does this pink-hued manifestation of second-rate statistical information tell you?

Team Location

To begin with, it may come as no surprise that almost half of our 50 shirts belong to teams based in the United Kingdom (all of us having some sort of strong UK connection). Almost as many again belong to national or club teams in Europe (again, an area of familiarity for us all).

Only nine of the 50 shirts belong to teams outside of Europe which could be conceived as a shortcoming on our part. Guilty as charged… but then again, no-one can be expected to have a comprehensive knowledge of every football shirt in every part of the world.

Shirt manufacturer

More than a third of our Greatest 50 shirts belong to one manufacturer – the company behind our Number 1 shirt, adidas. Surely this should come as no surprise to anyone. The German sportswear giant has been responsible for so many great football kits in their time, whether they’re on our list or not. To come out on top as the most dominant manufacturer in our round-up is perhaps the very least they deserve.

Chipping in with 11 shirts was Umbro – a fine achievement for the designers behind such classics as the England 2009 shirt and, to bring things right up to date, the widely-acclaimed West Ham United shirt for the 2015-16 season.

Another great English company, Admiral, provided five of our 50 shirts, each one showing their imaginative flare covering a period from the early-70’s to the early-80’s.

Of the other manufacturers, Nike and Puma were responsible for just four shirts and one shirt respectively. That’s not to say they’re poor when it comes to football shirt design – just that, in our view, few of their creations have been true classics. Such rigorous standards we applied to our project…

Shirt style

This was a tricky one to create sub-categories for. Gone are the days when football shirts could be simply called ‘Plain’ or ‘Hooped’ or ‘Striped.’ Now, thanks to improved manufacturing techniques, they’re much more complex, not just comprised of a collar and cuffs in a contrasting colour.

Taking that on board, and for the purposes of this infographic, we devised some simple profiles for each shirt style. ‘Plain’ was self-explanatory, and perhaps unsurprisingly accounted for over a quarter of the 50. ‘Halved’ and ‘Striped’ shirts were also well defined if less common in numbers. Hell, we even embraced those new-fangled shirts with ‘Faded’ designs, of which there were two.

What caused a slight headache was categorising those shirts that were essentially plain but were decorated with coloured blocks, lines or other motifs. What could we call them? ‘Decorated Plain’ seemed apt, and mopped up almost half of our half-century selection.

And if you thought ‘Decorated Plain’ was vague, we simply had to add a category called ‘Other’. Well what sort of label would you give the Hull City 1992-93 Home Shirt?

Decade of Origin

We’ve discussed on Football Attic podcasts past that ‘proper’ football kit design didn't really start until the 1970’s, as before that it was essentially classed as ‘equipment’. Despite being a great era for football shirts, however, the 1970’s only accounted for five of our final 50. The lion’s share instead went to the following decade; 20 of the 50 were a product of the 1980’s. Was it really the greatest decade for football kit design? You decide…

Fans of modern shirt design won’t have been too disappointed to see the last five years represented by 11 of our shirts, which reassuringly proves that the era of great design is in no way behind us.

Predominant Shirt Colour

These days, football shirts are often likely to contain any number of elements that in some way dilute its predominant colour. Whether it be blocks and panels in a contrasting hue, or a stripe, hoop or other motif, it’s not always easy to pin down the main colour of a shirt.

For the purpose of our infographic, however, we had to do just that, wherever possible. In so doing, we exposed a wide colour palette ranging from the most popular colour, blue (11 shirts) to yellow, gold, pink and amber (1 shirt each).

One colour that didn't feature, most notably, was black – not that many teams wear a predominantly black shirt in their home kit, but many away kits have certainly turned to the dark side by way of a contrast. Maybe none of them have quite managed to balance this darkest of dark colours with a real sense of style?

Returning to the theme of ambiguity, 10 of our 50 shirts were categorised as ‘Various’ because of the complexity of their colour scheme. Birmingham City 1972-74 Third Shirt, anyone?

Shirt Category

Finally, an interesting (if simple) look at whether our 50 Greatest Shirts have been produced for club teams or national sides. As you can see, the clubs win that particular battle with almost two-thirds of the entire amount. Strange, if you think about it… national team shirts probably get more exposure via major international tournaments, and yet they only account for 34% of all those featured in our countdown.

So there it is – the 50 Greatest Football Shirts Ever in infographic form. Now if only we could represent the approval rating of each shirt as some form of graph…